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photo by Phil Provencio |
Now that is not to say that everything is rehearsed and planned and scripted -- it's certainly not. A great comic is able to ad lib, improv, work the room, and use the energy of the audience to guide and fuel their set. But, there is a map... specific jokes may be destinations on the map, whereas the roads a comic takes to get there may be different on any given night. A comic's set is a fluid, evolving collection of work... I mean, imagine doing a show, and the comic immediately before you has very similar subject matter and / or a similar bit. Or say you get to a show and realize this audience of, ahem, decidedly mature comedy lovers may not relate to your chunk on dating apps and emerging technology... better be ready to change gears and re-order your set - at a moment's notice.
I recently had a private gig for a charitable organization. I did some research into the group on my own, but wasn't given a lot of information from them. The gig was in New Jersey, which is an important thing to note. While Jersey is geographically close to NYC, it's not always... um, temperamentally / philosophically / politically, close? I had just come off several strong shows, and felt like I had my set pretty well in hand. On the way, to the gig, it's hitting me that the venue is a (very nice) community / seniors center. RUH ROH. I begin to wonder if the audience is going to be... of a "certain age?" Maybe they won't respond to some of my tech references, or that porn joke (don't worry, it's actually clean)? I re-think, re-order, re-write my set. We get to the venue. The crowd is as diverse in age and background as a comic could want! It's BYOB, and as soon as I saw someone had brought a "wine wagon," I knew they were ready to laugh. Welp. You guessed it. Back to the original set.
I recently had a private gig for a charitable organization. I did some research into the group on my own, but wasn't given a lot of information from them. The gig was in New Jersey, which is an important thing to note. While Jersey is geographically close to NYC, it's not always... um, temperamentally / philosophically / politically, close? I had just come off several strong shows, and felt like I had my set pretty well in hand. On the way, to the gig, it's hitting me that the venue is a (very nice) community / seniors center. RUH ROH. I begin to wonder if the audience is going to be... of a "certain age?" Maybe they won't respond to some of my tech references, or that porn joke (don't worry, it's actually clean)? I re-think, re-order, re-write my set. We get to the venue. The crowd is as diverse in age and background as a comic could want! It's BYOB, and as soon as I saw someone had brought a "wine wagon," I knew they were ready to laugh. Welp. You guessed it. Back to the original set.
In between these booked gigs, with real audiences and sometimes even - *gasp* PAY... we soldier on, trudging to mics regardless of weather, maybe skipping a meal here and there to save money for another mic. Working our jokes in a room full of people who are both our contemporaries and our competition. Sometimes witnessing genius, often times witnessing a train wreck. Oddly, this can be simultaneously entertaining and depressing. If you are lucky, you make some friends along the way. In a business that can be isolating - by the very nature of it, and sometimes by choice - it is good to forge relationships with the only people that understand the strange business of comedy. Networking in a room full of people who are at once full of confidence and insecurity, who are full of life on stage and just as awkward off of it.
There is no magic formula to becoming a comic, certainly not to becoming a successful one - no degree path, no map. It's trial and error, hard work, perseverance, talent, luck, showing up, timing, a little magic fairy dust... and each person has a different amount of each of these in their pocket. Two people could do the exact same thing every day - maybe one makes it, maybe neither one makes it - but we all keep going (at least until we are tired of ramen noodles).
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Any advice to someone who's dumb enough to want to go and try some of these open mics in the NY area? i've done one or two in Jersey in my life but i'd really like to get back on stage and bomb some more. And how many nights a week would you say you do it?
ReplyDeleteThanks!
Hi Miguel! My advice is DO IT! Getting up is what it is all about, and it sounds like you already have a good sense of humor about it. ;o) Open Mics truly serve many purposes - - working on your material, getting comfortable on stage, interacting with an 'audience' (even though it is an audience of comics, who will react differently than civilians), and another great bonus: networking. Currently, I'm trying to get up 4 times a week - but that can vary depending on the week and my budget! I know comics that are doing as many as 4 mics a night. Once you try a few out, you will find what works for you - it is different for everyone. If you are looking for mics to try around NYC these are a couple of good resources:
ReplyDeletehttp://nycomedylist.com/
http://badslava.com/
Let us know how it goes, and have fun!